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My only concern was maybe a bit too glossy, could of done with a hint of grit or that classic low budget feel perhaps. Its definitely a much better looking flick than most of the previous incarnations, the productions values are clearly quite high as its all very glossy. I guess the fun part is seeing Jason upset Freddy by taking fresh kills away from him and causing tension between the two, inevitably this does result in small touches of dark humour which is cool. There isn't anything particularly ingenious or original going on here, the teen kills aren't exactly new and fresh and the adults running around trying to solve the issue do exactly the same thing they always do. Its all about the kills, Freddy does what he does best with his creepy dreamy imagery whilst Jason stomps around and hacks teenagers up. Now I'm not saying this carnage is worthy of praise, lets be frank we've seen it all before, but at least you get what you expect with no beating around the bush.
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So yes just like 'AvP' this is merely an excuse to see two iconic characters fight, the only difference is this film sticks to its trusted formula and delivers plenty of carnage. Unfortunately for Freddy, Jason gets carried away and is killing way too many and spoiling Freddy's catch, thusly a fight ensues. So he hatches a plan that involves raising Jason from the dead to bring terror back into kids lives hoping they will assume its him. Freddy seems unable to get it up anymore, he can't scare kids because everyone has forgotten about him. You'd think the plot behind this would be silly but it actually kinda works in my opinion. The only thing that instantly springs to mind when writing about this is when will I see Michael Myers, Pinhead, Ash, Leatherface or Chucky join in on this horror icon mash? soundtrack finds the same blood-drenched middle ground.Well it had to happen at some point and I was always game for it, finally the two supernatural death dealers clash. Jason likely offers enough thrills and chills to justify the price of admission. As blatant a premise as it is, Freddy vs. That includes a Slipknot demo dating to 1997, which is accompanied by unreleased material from Stone Sour. Nevertheless, the comp's producers do seem to have loud rock fans in mind - over half the set is previously unreleased. That almost half of the bands here record for Roadrunner is not surprising in the realm of the summer soundtrack, either, although the label might have gone a little overboard in its zeal to stock the waters. This mix of the solid with more inconsistent material is to be expected on a summer movie soundtrack. The former's "Bombshell" could be an early version of "Theme to a Fake Revolution" from its Transform LP, while Blank Theory's "Middle of Nowhere" is a blatant Korn reset. For every brutal kick to the solar plexus from Hatebreed or Killswitch Engage (both of whom contribute previously unreleased material), there's a weak spot from Powerman 5000 or Blank Theory. Likewise, the original motion picture soundtrack is the predictable rogue's gallery of metal heavyweights, up-and-comers, and pretenders to Hades' throne. Without even seeing the film, its premise smacks of cheap and easy marketing and ham-fisted bombast. But it's telling that such a battle is necessary. What did you expect, good-timin' reggae and ska grooves? This is, after all, the final battle between two of Hollywood's greatest hell spawns. Jason is an acid-eating torture fest of screaming metal insanity. Not surprisingly, Roadrunner's soundtrack to Freddy vs.